You are currently viewing The Closed Door Trilogy: Part One: The Descent
Loneliness

The Closed Door Trilogy: Part One: The Descent

It Starts Before You Notice It Starting

It never arrives all at once. That is the thing nobody tells you. It does not show up at the door with its name on a sign. It seeps in. A Tuesday that feels heavier than it should. A conversation that leaves you emptier than before it happened. A moment where you look at the life around you and feel nothing that resembles ownership of it. You notice you have stopped laughing at things that used to be funny. You notice the bed feels like the only honest place in the room.

By the time you realize what is happening, it has already been happening for a while.

The Door Closes Quietly

He did not make a decision to pull back. It just happened the way erosion happens. Gradually, then completely. First, he stopped returning calls he would have returned before. Then he started leaving messages on read without the guilt that used to follow. Then the invitations stopped feeling like opportunities and started feeling like obligations he did not have the resources to meet.

He told himself it was temporary. He told himself he just needed a few days to reset, to find his footing, to get back to some version of himself that felt inhabitable. He believed it the first few times he said it. By the third week, he had stopped keeping count.

What the Darkness Actually Feels Like

People use darkness as a metaphor, and it is not wrong, but it is incomplete. It is not just the absence of light. It is the presence of weight. Everything costs more than it should. Getting up costs something. Eating costs something. Responding to a simple question from someone who genuinely cares costs something he does not always have on hand. He moves through the hours like a man walking against a current that nobody else in the room can feel.

He does not talk about it. Not because there are no words. There are too many words, and none of them land anywhere useful. He has tried before. He has watched the face of someone listening arrange itself into concern and felt the distance between what he was trying to say and what they were able to receive, and decided the gap was not worth crossing.

The Worst Nights Have a Particular Quality

They are quieter than the others. Not peaceful and quiet. The kind of quiet that has texture. He lies in the dark, and the thoughts are not dramatic, which somehow makes them worse. They are just steady and low and certain in the way that exhausted things are certain. He does not spiral. He just sinks. Slowly, without theatrics, into something he cannot quite name but recognizes by now.

He knows people are out there. He can picture them, specific faces, people who would pick up on the first ring. He does not reach for the phone. Not because he does not want a connection. Because want requires energy, he is running too low to access.

He Will Not Tell You How Close It Gets

Not tonight. Maybe not ever. There are edges in those nights that he does not revisit in daylight, not because they were not real, but because bringing them back into the light feels like giving them more oxygen than they deserve. What he will tell you is that the night always ends. Not cleanly. Not with resolution. Just with the particular gray that comes before morning, the colour of something that has not decided yet what it is going to be.

He makes it to the gray every time. He has not yet decided if that is a strength or just the stubbornness of a body that keeps going before the mind has agreed to.

Either way, he is still here at the start of the next day. Still behind the door. Still in the dark.

Zsolt Zsemba

Zsolt Zsemba has worn many different hats. He has been an entrepreneur, and businessman for over 30 years. Living abroad has given him many amazing experiences in life and also sparked his imagination for writing. After moving to Canada from Hungary at the age of 10 and working in a family business for a large part of his life. The switch from manufacturing to writing came surprisingly easily for him. His passion for writing began at age 12, mostly writing poetry and short stories. In 1999, the chance came to write scripts. Zsolt took some time off from his family business to write in Jakarta Indonesia for MD Entertainment. Having written dozens of soap operas and made for TV movies, in 2003 Zsolt returned to the family business once more. In 2018, he had the chance to head back to Asia once again. He took on the challenge to be the COO for MD Pictures and get back into the entertainment business. The entertainment business opened up the desire to write once more and the words began to flow onto the pages again. He decided to rewrite a book he began years ago. Organ House was reborn and is a fiction suspense novel while Scars is a young adult drama focused on life’s challenges. After the first two books, his desire to write not only became more challenging but enjoyable as well. After having several books completed he was convinced to publish them for your enjoyment. Zsolt does not tend to stay in one specific genre but tends to lean towards strong female leads and horror. Though he also has a few human interest books, he tends to write about whatever brews in his brain for a while.