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The Big Bad BUT: Why You’re Starving Next to a Full Plate

Are You A Jackass?

There’s an old philosophy experiment, a few hundred years old, that goes like this. A donkey is hungry and thirsty at the same time. He has total freedom to move wherever he wants. He’s standing exactly halfway between a pile of carrots and a bucket of water. Simple problem, right? Just walk over and eat, then walk over and drink.

Except he can’t. Every step toward the water takes him a step away from the carrots, and he’s too hungry to allow that. Every step toward the carrots takes him a step away from the water, and he’s too thirsty to allow that. So he stands there, frozen between two things he wants, and in the original thought experiment, he starves. He dies of hunger and thirst while surrounded by both.

We Are All That Donkey

Every single one of us does this exact thing, and we do it with one word. That word is but.

I want to have a creative life, but I never want to get rejected. I want to run the marathon, but I don’t want to get tired. I want the relationship, but I don’t want to be vulnerable. I want the business, but I don’t want the risk. Read those sentences back slowly and you’ll notice something strange. The first half of each one is a real desire. The second half cancels it out completely. And we say both halves like they belong in the same sentence, like they’re compatible, like standing between the carrots and the water is somehow a plan instead of a slow death.

The But We Don’t Say Out Loud

Here’s the part that actually matters. Most of the time we don’t even say the but out loud. We just live it.

Nobody walks around announcing, I want to write a book, but I’m terrified of anyone reading it and thinking I’m not good enough. Instead, they just never open the document. Nobody says, I want to ask her out, but I can’t handle being told no. They just find a reason the timing isn’t right. The but hides inside the excuse. It wears a disguise made of being busy, or waiting for the right moment, or needing more information first. Take off the disguise, and it’s the same donkey standing between the same two piles, dressed up as something more respectable.

Psychologists have a name for a version of this. Self-handicapping, where you build in an obstacle ahead of time so if you fail, you’ve already got your excuse ready. You didn’t fail because you weren’t good enough. You failed because you were too tired, too busy, too unlucky. The obstacle protects your ego from ever finding out what would have happened if you’d actually tried without a but attached to it.

Say the But Out Loud and Watch It Shrink

Something useful happens the moment you drag the but into the light and say the whole sentence honestly. I want to run the marathon, but I don’t want to get tired. Say that out loud, and it sounds almost funny, because of course you’ll get tired; that’s what running twenty six miles does to a human body. The but was never a real obstacle. It was a feeling dressed up as a rule.

Try it with your own version. I want the creative life, but I never want to get rejected. Said out loud, that one falls apart just as fast, because rejection is the entry fee for anything creative, not a design flaw you’re allowed to opt out of. The donkey isn’t actually trapped by the carrots or the water. He’s trapped by refusing to accept that getting one thing always costs a little distance from the other.

Pick a Direction and Walk

The fix isn’t complicated, it’s just uncomfortable. You have to pick a direction and accept the cost of walking there. Move toward the water and let the carrots wait. Move toward the carrots and let the water wait. You will not die of thirst in the four minutes it takes to eat. You will not die of hunger in the four minutes it takes to drink. The donkey in the original story doesn’t die because the situation was impossible. He dies because he refused to move first and figure out the rest along the way.

So next time you catch yourself building a sentence with a but hiding in the middle of it, stop and say the whole thing out loud. Not the polished version you tell other people. The real one. I want this, but I’m scared of that. Once it’s out in the open, it stops being a philosophical trap and starts being just a choice. And choices, unlike donkeys standing between two piles, can actually move.

Zsolt Zsemba

Zsolt Zsemba has worn many different hats. He has been an entrepreneur, and businessman for over 30 years. Living abroad has given him many amazing experiences in life and also sparked his imagination for writing. After moving to Canada from Hungary at the age of 10 and working in a family business for a large part of his life. The switch from manufacturing to writing came surprisingly easily for him. His passion for writing began at age 12, mostly writing poetry and short stories. In 1999, the chance came to write scripts. Zsolt took some time off from his family business to write in Jakarta Indonesia for MD Entertainment. Having written dozens of soap operas and made for TV movies, in 2003 Zsolt returned to the family business once more. In 2018, he had the chance to head back to Asia once again. He took on the challenge to be the COO for MD Pictures and get back into the entertainment business. The entertainment business opened up the desire to write once more and the words began to flow onto the pages again. He decided to rewrite a book he began years ago. Organ House was reborn and is a fiction suspense novel while Scars is a young adult drama focused on life’s challenges. After the first two books, his desire to write not only became more challenging but enjoyable as well. After having several books completed he was convinced to publish them for your enjoyment. Zsolt does not tend to stay in one specific genre but tends to lean towards strong female leads and horror. Though he also has a few human interest books, he tends to write about whatever brews in his brain for a while.

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