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The loud people!

Keep It Down. Nobody Asked to Be Part of Your Moment.

The Volume Is the Point

There is a person in this restaurant right now speaking at a volume that suggests they believe everyone within thirty meters has been waiting for their contribution to the conversation. They are not talking at the table. They are performing for the room. Every laugh is calibrated. Every anecdote lands slightly louder than the last one. The phone comes out at regular intervals, not to communicate but to document that they are here, that they are this, that you should be aware of their presence and ideally impressed by it.

Nobody is impressed. Everyone is annoyed. And the gap between those two realities is where entitlement lives.

Public Space Is Shared Space

This should not need explaining to adults. A restaurant, a coffee shop, a hotel lobby, a train carriage, these are spaces shared by people who did not consent to be extras in your personal production. The person is trying to have a quiet meal. The person on the train who has been travelling for three hours and wants thirty minutes of silence before they arrive. The person in the coffee shop is trying to focus on the work they actually need to finish. All of them are now involuntary participants in whatever you have decided to perform today.

Shared space comes with a basic obligation. You moderate yourself. Not because you are less important than anyone else in the room. Because everyone in the room is equally important, and that means your right to be loud ends where their right to some peace begins. That is not a complicated social contract. It is the minimum required for civilization to function at a basic level.

The Influencer Energy Is Its Own Special Problem

There is a specific version of this that has emerged from social media culture, and it deserves to be named directly. The person who arrives at a public space and immediately begins treating it as a set. Rearranging things for the shot. Talking loudly about what they are about to order in a way that is clearly scripted. Filming without asking. Demanding attention from staff who are not being paid to provide. Acting as though the restaurant or hotel or coffee shop exists as a backdrop for their content rather than as a functioning business serving paying customers who were there first.

The follower count does not entitle anyone to more space, more volume, or more staff attention than the person sitting quietly next to them. A hundred thousand followers is not a personality. It is an audience. And the audience is on a screen, not in this room, not at this table, not interested in watching you perform your lifestyle at the expense of everyone trying to live theirs.

The Fake Rich Are the Loudest

Actual wealth tends to be quiet. The people who have genuinely made it, who have the money and the access and the options, generally do not need the room to know about it. They do not need to perform importance because importance is not something they are still trying to establish. The loudest person in the restaurant, the one demanding to speak to the manager over something trivial, the one name-dropping in a voice clearly intended to carry, the one treating service staff like props in a status display, is almost never the person with the most to back it up.

The performance of wealth is the tell. Real confidence does not require an audience. The arrogance that fills a room is compensating for something, and that something is usually the gap between how important a person needs to feel and how important they actually are. The entitlement is loudest when the foundation underneath it is shakiest.

The Way You Treat Staff Says Everything

If you want a clean read on someone’s character, watch how they treat the person taking their order. Not the manager. Not the owner who comes out to greet VIPs. The server. The barista. The hotel front desk person on a twelve-hour shift who has dealt with thirty entitled guests before you walked in.

The loud, entitled, look-at-me energy almost always comes with a specific way of interacting with service staff. Dismissive. Impatient. Treating requests as obligations rather than exchanges between people. Complaining in a volume and tone designed not to resolve a problem but to demonstrate power over someone who cannot easily push back. That behaviour is not confidence. It is cruelty dressed up as standards.

Nobody Is That Important

This is the part worth sitting with. Whatever the reason for the volume, the entitlement, the need to fill a room with your presence and make sure everyone in it registers you, the honest underlying assumption is that your comfort, your mood, your need for attention outweighs the collective comfort of everyone else in the space. That is a significant claim. It requires a level of actual importance that very few people possess, and almost none of the loudest ones do.

Lower the volume. Put the phone away. Order like a person, not a performance. Treat the staff like human beings because they are human beings. Take up the space you actually need and leave the rest for the people around you who are just trying to eat their meal, drink their coffee, or get through a train journey without becoming the unwilling audience for someone else’s need to be noticed.

The room was not waiting for you. It was doing fine.

Zsolt Zsemba

Zsolt Zsemba has worn many different hats. He has been an entrepreneur, and businessman for over 30 years. Living abroad has given him many amazing experiences in life and also sparked his imagination for writing. After moving to Canada from Hungary at the age of 10 and working in a family business for a large part of his life. The switch from manufacturing to writing came surprisingly easily for him. His passion for writing began at age 12, mostly writing poetry and short stories. In 1999, the chance came to write scripts. Zsolt took some time off from his family business to write in Jakarta Indonesia for MD Entertainment. Having written dozens of soap operas and made for TV movies, in 2003 Zsolt returned to the family business once more. In 2018, he had the chance to head back to Asia once again. He took on the challenge to be the COO for MD Pictures and get back into the entertainment business. The entertainment business opened up the desire to write once more and the words began to flow onto the pages again. He decided to rewrite a book he began years ago. Organ House was reborn and is a fiction suspense novel while Scars is a young adult drama focused on life’s challenges. After the first two books, his desire to write not only became more challenging but enjoyable as well. After having several books completed he was convinced to publish them for your enjoyment. Zsolt does not tend to stay in one specific genre but tends to lean towards strong female leads and horror. Though he also has a few human interest books, he tends to write about whatever brews in his brain for a while.