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Jakarta Outbreak

Jakarta Outbreak.

Chapter 3: The First Outbreaks

Jakarta’s hospitals were no longer hospitals. They were cages of screams.

At Menteng, the night shift began with two guards posted outside the isolation ward. By morning, both were dead. The patients they were guarding had torn through their restraints. One nurse swore she saw a man bend backward until his spine cracked, only to rise again with movements that did not belong to a human. His eyes were clouded, his jaw grinding until teeth snapped from the force. When he lunged, he did not speak, he did not beg, he did not think. He only bit.

Cipto Mangunkusumo was worse. A blackout hit the ICU at midnight. When the lights returned, chaos had spread through every floor. Patients staggered into the halls with blood dripping from their mouths. Doctors barricaded themselves in operating rooms while the infected slammed their bodies against the doors. Security footage later showed them running on all fours, charging walls, breaking bones without slowing down. They no longer felt pain. They only hunted.

The city woke up to panic. Ambulances screamed through Sudirman, honking at cars that would not move. News anchors stammered through live reports, their faces pale as they announced entire wards had been “lost.” They avoided the word zombie, but the public no longer needed it explained. Footage spoke for itself: patients tearing at nurses with their teeth, families dragged to the ground and devoured, crowds scattering as infected convulsed and rose in MRT stations.

Markets turned into nightmares. In Tanah Abang, a group of stray cats pounced on shoppers at dawn. The scratches turned to spasms, the spasms to collapse. Within minutes, people were reanimating on the dirty tiles, biting into anyone close enough to reach. Vendors screamed and climbed onto stalls, kicking down fruit baskets as they tried to escape. By the time soldiers arrived, the entire block was swarming with the infected.

The panic split the city in two. Some rushed to hospitals, hoping for medicine or safety. Others barricaded themselves inside apartments, dragging furniture across doors, clutching machetes, praying the infected would pass them by. Videos on TikTok and Instagram showed the horror in real time. Families screaming behind locked gates as neighbors, once familiar faces, slammed their bodies against the iron bars with bloody hands.

Agus, the reporter, stood in the control room of his station, watching the flood of footage come in. His editor begged him not to say the word zombie on air. But Agus no longer cared. He remembered the official’s lips, the phrase burned into his mind. “All going to plan.”

He looked into the camera during the evening news and said it out loud. “This is no rabies outbreak. This is not an accident. Jakarta is facing a plague of the dead.”

The broadcast cut across the city. Some cursed him for spreading hysteria. Others believed him instantly. That night, the toll roads out of Jakarta clogged with cars. Families abandoned their homes, their jobs, everything. Some never made it past the gridlock. The infection spread faster than the traffic moved.

By dawn, the city’s rhythm was broken. Morning prayers echoed from mosques, but the voices outside were not human. They were guttural cries, inhuman roars, the sound of hunger.

Jakarta was infected.

And the dead were walking.

Zsolt Zsemba

Zsolt Zsemba has worn many different hats. He has been an entrepreneur, and businessman for over 30 years. Living abroad has given him many amazing experiences in life and also sparked his imagination for writing. After moving to Canada from Hungary at the age of 10 and working in a family business for a large part of his life. The switch from manufacturing to writing came surprisingly easily for him. His passion for writing began at age 12, mostly writing poetry and short stories. In 1999, the chance came to write scripts. Zsolt took some time off from his family business to write in Jakarta Indonesia for MD Entertainment. Having written dozens of soap operas and made for TV movies, in 2003 Zsolt returned to the family business once more. In 2018, he had the chance to head back to Asia once again. He took on the challenge to be the COO for MD Pictures and get back into the entertainment business. The entertainment business opened up the desire to write once more and the words began to flow onto the pages again. He decided to rewrite a book he began years ago. Organ House was reborn and is a fiction suspense novel while Scars is a young adult drama focused on life’s challenges. After the first two books, his desire to write not only became more challenging but enjoyable as well. After having several books completed he was convinced to publish them for your enjoyment. Zsolt does not tend to stay in one specific genre but tends to lean towards strong female leads and horror. Though he also has a few human interest books, he tends to write about whatever brews in his brain for a while.