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Jakarta Outbreak

Jakarta Outbreak

Chapter 11: The Island

The boat drifted for two more days before the ocean finally delivered them to a small island. It was little more than a strip of sand and jungle, unmarked on their maps, but to the survivors it felt like salvation. The hull scraped against the shore and they stumbled out, falling to their knees in the surf. Some kissed the ground. Others simply collapsed and let the waves wash over them.

There were no signs of the infected. No wrecks, no screams, no cats prowling in the brush. Only birds wheeling overhead and the steady crash of the tide. For the first time since Jakarta fell, silence carried no threat.

Agus led them inland. They built a rough camp from driftwood and palm leaves, starting fires with scraps from the boat. A handful of men hunted fish with sharpened sticks while the women boiled seawater in dented pots, collecting what little clean water rose as steam. It was crude, but it was enough to keep them alive.

At night, they climbed a rocky bluff that overlooked the Java Sea. With a single pair of binoculars salvaged from the boat, they took turns scanning the horizon. The city was still visible far in the distance, its outline broken by smoke. Fires still burned, even after so many days. When the wind shifted, they swore they could hear faint echoes of screams.

The survivors spoke little. They were too tired, too broken. And beneath their silence lay a shared fear they did not voice.

The gestation.

No one knew how long it took. The boy on the boat had turned within minutes. The fisherman had lasted almost a day. Some patients in the hospitals back in Jakarta had collapsed only to rise hours later, their bodies twitching in unnatural spasms. There was no pattern, no safety in time.

Each scratch, each bruise, each fevered cough sent a ripple of panic through the group. Mothers clutched their children tighter. Men slept with knives close at hand. Agus himself had not been bitten, but he found himself checking his skin every morning, searching for wounds he might have missed in the chaos.

The waiting became its own kind of torture.

By the fifth night, they no longer looked at the city with hope. They watched it with suspicion, as if the skyline itself might rise and walk across the water toward them. The fires never died. The howls never faded. Jakarta was no longer a home, no longer even a city. It was a wound that would not close.

Agus sat by the fire, his face lit orange in the flames. He thought of the words he had read on the lips of the official in those first days. All going to plan. Was this island too part of the plan? Had they been herded here, like rats into a cage, just waiting for the sickness to bloom?

No answer came. Only the ocean and the night.

For now, the survivors waited. They ate what little they could catch, they drank what little they could make, and they stared at each other across the firelight, wondering who would twitch first, who would open milky eyes in the dark and turn on the rest.

Jakarta had fallen. The sea had betrayed them. The island was only a pause in the nightmare.

And as the stars wheeled silently overhead, Agus knew the truth. The world had entered a new age, and their survival was nothing more than borrowed time.

Zsolt Zsemba

Zsolt Zsemba has worn many different hats. He has been an entrepreneur, and businessman for over 30 years. Living abroad has given him many amazing experiences in life and also sparked his imagination for writing. After moving to Canada from Hungary at the age of 10 and working in a family business for a large part of his life. The switch from manufacturing to writing came surprisingly easily for him. His passion for writing began at age 12, mostly writing poetry and short stories. In 1999, the chance came to write scripts. Zsolt took some time off from his family business to write in Jakarta Indonesia for MD Entertainment. Having written dozens of soap operas and made for TV movies, in 2003 Zsolt returned to the family business once more. In 2018, he had the chance to head back to Asia once again. He took on the challenge to be the COO for MD Pictures and get back into the entertainment business. The entertainment business opened up the desire to write once more and the words began to flow onto the pages again. He decided to rewrite a book he began years ago. Organ House was reborn and is a fiction suspense novel while Scars is a young adult drama focused on life’s challenges. After the first two books, his desire to write not only became more challenging but enjoyable as well. After having several books completed he was convinced to publish them for your enjoyment. Zsolt does not tend to stay in one specific genre but tends to lean towards strong female leads and horror. Though he also has a few human interest books, he tends to write about whatever brews in his brain for a while.