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Jakarta Outbreak

Jakarta Outbreak.

Chapter 9: Death on the Water

The sea was supposed to save them.

From the decks of the fishing boats, survivors watched Jakarta disappear into the smoke. The city was still glowing, its towers like charred candles, the horizon smeared with fire. Waves slapped against the hulls, and for the first time in weeks, there was silence, broken only by the sound of crying children and sputtering engines.

But safety was an illusion.

The boats were overcrowded. Dozens of families pressed together on decks meant for fish, not people. The smell of saltwater mixed with sweat, urine, and blood. People prayed in hushed voices, their words carried away by the wind. Mothers rocked their children to sleep. Men kept knives close.

Then the first scream tore through the night.

A boy collapsed on the deck, convulsing, his eyes rolling back. His mother clutched him, begging for help, but the crowd recoiled. They had all seen it before in Jakarta’s hospitals. The boy’s mouth foamed, his back arched, and then he stopped moving. For a heartbeat, silence. Then his eyes snapped open, milky white, and he lunged at her throat.

Panic erupted.

The infected child bit his mother, and she fell shrieking, her blood soaking into the wooden planks. Men rushed forward, trying to throw the boy overboard, but he clawed at their faces with unnatural strength. The deck descended into chaos. Knives flashed. People screamed. Some jumped into the sea, preferring to drown than face what was coming.

On another boat nearby, a similar horror unfolded. A fisherman who had hidden a bite beneath his shirt collapsed by the engine. When he rose again, his growl was drowned out by the engine sputtering to a stop. The infected man tore into the mechanic before anyone could react, his teeth sinking into the man’s arm. Within minutes, the infection spread across the cramped deck. Survivors screamed as they were pushed into the water, their hands thrashing before vanishing beneath the waves.

The ocean became a grave.

Bodies floated in the surf, some still moving, their jaws snapping at anything that drifted near. Blood spread in crimson patches, drawing sharks from the deep. Survivors clung to pieces of wreckage, only to feel teeth on their ankles as the infected dragged them under.

On one of the largest boats, chaos gave way to brutal order. A man with a machete, once a market butcher, took command. He hacked down the infected, even as his blade split the heads of the still-living who had been bitten. Mothers screamed as their wounded children were tossed overboard. Families begged for mercy. The butcher showed none. To him, survival was all that mattered.

As dawn broke, the survivors could see each other scattered across the water. Some boats drifted aimlessly, their decks painted in blood. Others were nothing but empty hulls, rocking silently, the sea already reclaiming them.

There was no safe place. Not on land. Not on water.

The infection had followed them, carried in blood and breath. The survivors realized the ocean was not a sanctuary, but a mirror of the city they had fled. Jakarta’s nightmare had simply moved onto the waves.

And as the sun rose higher, the distant horizon revealed more boats, more people fleeing, more chances for the infection to spread. The apocalypse was not ending. It was only widening, carried now not just through Jakarta’s streets, but across the islands of Indonesia.

Zsolt Zsemba

Zsolt Zsemba has worn many different hats. He has been an entrepreneur, and businessman for over 30 years. Living abroad has given him many amazing experiences in life and also sparked his imagination for writing. After moving to Canada from Hungary at the age of 10 and working in a family business for a large part of his life. The switch from manufacturing to writing came surprisingly easily for him. His passion for writing began at age 12, mostly writing poetry and short stories. In 1999, the chance came to write scripts. Zsolt took some time off from his family business to write in Jakarta Indonesia for MD Entertainment. Having written dozens of soap operas and made for TV movies, in 2003 Zsolt returned to the family business once more. In 2018, he had the chance to head back to Asia once again. He took on the challenge to be the COO for MD Pictures and get back into the entertainment business. The entertainment business opened up the desire to write once more and the words began to flow onto the pages again. He decided to rewrite a book he began years ago. Organ House was reborn and is a fiction suspense novel while Scars is a young adult drama focused on life’s challenges. After the first two books, his desire to write not only became more challenging but enjoyable as well. After having several books completed he was convinced to publish them for your enjoyment. Zsolt does not tend to stay in one specific genre but tends to lean towards strong female leads and horror. Though he also has a few human interest books, he tends to write about whatever brews in his brain for a while.