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Wasps of Jakarta

Attack on Jakarta, Part-5

The Wasps of Java: Urban Swarm

Chapter 5: Exodus

Part-4 https://wp.me/p84YjG-5R5

The roads of Jakarta became rivers of panic.

By dawn, entire families were pouring out of apartment towers with nothing but what they could carry. Motorbikes swarmed the streets, overloaded with three or four riders clinging to each other. Cars jammed every major artery leading out of the city, honking uselessly as traffic froze. From above, the clogged highways looked like veins strangled by blood clots, the city choking on its own desperation.

The wasps hunted the bottlenecks.

At the Halim toll road, swarms descended like living nets, blanketing cars and cracking windshields with sheer weight. People abandoned vehicles, sprinting into ditches, only to vanish beneath churning waves of black wings. A viral video showed a man trying to drive through the swarm, accelerating wildly until his car simply disappeared in the writhing mass. When the swarm lifted, nothing remained but a skeletal frame, stripped to metal in minutes.

Maya and Arif kept low as they moved through the streets. They had abandoned the hotel during the night, slipping through alleys as the swarm poured into the upper floors. Now, in the daylight chaos, they joined thousands trying to escape.

“South,” Arif urged. “Toward Bogor. We might find jungle cover there. The swarm hunts better in open streets.”

Maya nodded, clutching her backpack straps until her knuckles whitened. She tried not to look at the bodies that lined the sidewalks, some still twitching beneath crawling layers of insects.

At the overpass near Pasar Minggu, they stumbled onto a group of survivors sheltering under a collapsed billboard. A man in torn office clothes waved them in, his face streaked with soot.

“They’re swarming again,” he whispered. “Stay low. Don’t draw their attention.”

Maya crouched among them, heart pounding. Dozens huddled there — mothers rocking infants, teenagers staring hollow-eyed, old men muttering prayers. Everyone was waiting for something, though no one knew what.

A sound rose in the distance. Not sirens, not gunfire. Buzzing.

The survivors tensed. Some began to weep softly.

Through the gaps in the billboard, Maya saw the swarm approach. It rolled down the avenue like a stormfront, swallowing everything in its path. The insects didn’t scatter or drift anymore. They moved in unison, curving around obstacles, funnelling survivors into kill zones. It was like watching an army maneuver.

A boy near Maya broke. He bolted into the street, screaming for his father. The swarm pivoted instantly, curving like smoke, and fell on him. His cries were cut short. The survivors held their breath, praying the swarm would pass them by.

It didn’t.

The buzzing thickened as the insects circled the overpass. They knew. They could smell the fear, the sweat, the human warmth.

“Run,” Arif whispered. “Now.”

They burst from the shelter as the swarm collapsed onto it, smothering those who stayed behind. Maya ran until her lungs tore, until her legs buckled, until she couldn’t hear her own breath over the storm of wings behind them.

Hours later, they stumbled into a nearly deserted train station. The building was cracked and blackened, signs of fire fights and hasty retreats. On the platform, a military transport train idled, its doors guarded by exhausted soldiers with rifles.

“We’re evacuating the south districts,” one barked. “Capacity’s full. Move back.”

People screamed at him, waving their arms, begging to be let on. Children were lifted above the crowd, shoved toward the doors, but the soldiers shoved them back. The crowd surged, desperate, angry.

Maya grabbed Arif’s sleeve. “We can’t stay here. If the swarm finds this…”

Her words cut off as a shadow passed over the station windows. A low, rolling drone filled the air.

The swarm had found them.

The soldiers fired wildly as the windows shattered inward. Wings, stingers, legs poured into the hall. The crowd surged again, this time in sheer terror, breaking down the train doors and climbing over one another. Gunfire blended with screaming as the swarm filled the station like floodwater.

Maya and Arif dove beneath the platform, crawling through oil and gravel. Above them, people clawed for the train, the doors buckling under pressure. Then, with a screech of steel, the train lurched forward, dragging desperate survivors clinging to its sides.

Arif pulled Maya through the dark maintenance tunnels, away from the chaos. “They’ll never let us out by train,” he said, panting. “We have to find another way. South, always south.”

Behind them, Jakarta was collapsing. Skyscrapers stood like blackened tombstones, each filled with hives. Streets were clogged with abandoned cars. Parks had become hunting grounds. The swarm owned the city now, and the people who hadn’t fled were only food or future hosts.

Maya stopped in the tunnel, gasping. “How do we fight something that learns faster than we can destroy it?”

Arif’s voice was flat, hollow. “We don’t fight. Not yet. We survive long enough to find the answer.”

Above them, the swarm roared across the night sky, sweeping southward in pursuit of the living.

Zsolt Zsemba

Zsolt Zsemba has worn many different hats. He has been an entrepreneur, and businessman for over 30 years. Living abroad has given him many amazing experiences in life and also sparked his imagination for writing. After moving to Canada from Hungary at the age of 10 and working in a family business for a large part of his life. The switch from manufacturing to writing came surprisingly easily for him. His passion for writing began at age 12, mostly writing poetry and short stories. In 1999, the chance came to write scripts. Zsolt took some time off from his family business to write in Jakarta Indonesia for MD Entertainment. Having written dozens of soap operas and made for TV movies, in 2003 Zsolt returned to the family business once more. In 2018, he had the chance to head back to Asia once again. He took on the challenge to be the COO for MD Pictures and get back into the entertainment business. The entertainment business opened up the desire to write once more and the words began to flow onto the pages again. He decided to rewrite a book he began years ago. Organ House was reborn and is a fiction suspense novel while Scars is a young adult drama focused on life’s challenges. After the first two books, his desire to write not only became more challenging but enjoyable as well. After having several books completed he was convinced to publish them for your enjoyment. Zsolt does not tend to stay in one specific genre but tends to lean towards strong female leads and horror. Though he also has a few human interest books, he tends to write about whatever brews in his brain for a while.