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Glamp-Thing-3

“The Squish Beneath”

By morning, half the guests had left. The fog hadn’t lifted, and the staff’s smiles looked thinner than before. The camp group chat buzzed with nervous messages. “Did you hear that last night?” “Someone’s phone caught a voice.” “It said a name.”

Dinda sat near the dining tent, holding her phone like it might bite. The handprint was gone, wiped clean by someone before sunrise. She checked her recordings again. Corrupted. Every single file from last night showed only static and a flash of her own terrified face.

Pak Santosa was arguing with the manager near the pier. “We’re checking out today. Refund or not.”

The manager nodded too quickly. “Of course, sir. The boat leaves at noon.”

Behind him, two workers were dragging something out of the lake. It was a piece of wood, splintered and slick with black mud. Dinda realized it wasn’t wood at all. It was part of the missing tent pole, twisted like something had wrapped around it.

“Don’t look,” her mother said, pulling her away.

But curiosity was stronger than comfort.

At lunch, the few remaining guests sat close together. Someone joked weakly that the fog was “free air-conditioning.” No one laughed.

Adi was playing by the boardwalk again, poking at the water with a stick. Dinda walked over to call him back.

The stick sank too fast, swallowed by something below. The water rippled once, then stilled. Adi frowned. “There’s something soft under there.”

He stepped closer.

“Don’t!” she shouted.

He froze, confused. Then they both heard it. A squishing noise, faint but deliberate, like wet feet pressing into mud right behind them.

Dinda spun around. Nothing. Just the fog curling between the tents.

Then, from beneath the wooden planks, came another sound. A low groan, stretching and bubbling, as if the ground itself was breathing.

“Adi, move back.”

He obeyed this time. They both watched the lake’s edge. The waterline pulsed once, like something exhaled beneath it. A few bubbles surfaced and popped, releasing a smell like rotting fish and old metal.

That evening, the family stayed packed and ready. The manager had promised the boat would come. But as night fell, there was still no sound of an engine.

“Maybe fog delay,” he said weakly.

Pak Santosa glared. “We’re not staying another night.”

The power flickered, then went out completely. The camp fell into instant silence. Someone screamed from the cabins.

Dinda grabbed her flashlight. The beam cut across the pier. The lake was rippling now, though there was no wind.

Something floated near the edge. A shape. Pale and long.

She thought it was driftwood until it rolled. Human skin, bloated, face down. The staff rushed forward but stopped when they saw what was attached to it. Thin black tendrils stretched from the body into the water, still twitching.

Someone whispered a prayer. Another ran to their car, but the tires were already sunk in the mud.

The fog thickened again, and a sound came with it. The same croaking voice, louder now, rising from the lake’s throat.

Inside the tent, Adi was crying. “I don’t want to be here.”

His mother held him close. “We’ll leave when the boat comes.”

But the ground was moving again. Not shaking like an earthquake, but shifting, slow and alive. Dinda pressed her palm to the floor. It was soft. Wet. Breathing.

She screamed.

Outside, the fog glowed faintly, lit by something deep below the water. Shapes moved under the surface, long and graceful, like ribbons twisting in slow motion.

The staff shouted for everyone to gather near the bonfire pit. “Stay together!”

Dinda ran with her parents and Adi. The ground squished under their shoes, releasing small burps of air and mud. She looked back and saw the boardwalk collapsing into the lake, plank by plank, as if being eaten.

From the water, something rose.

It wasn’t a full creature, not yet. Only parts of it surfaced: a hand slick with algae, a glimmer of a face too long to be human, a cluster of tendrils wrapped around its head like hair. The croaking grew louder, until it sounded almost like words.

“Stay.”

The fog swallowed the sound, but Dinda heard it clearly. It was inside her head now, whispering with every pulse of the lake.

She stumbled, her shoes sinking into the soft ground. When she pulled her foot free, the soil clung to her ankle like a mouth.

Pak Santosa yanked her forward. “Run!”

They reached the road just as the first tent collapsed behind them. The fog glowed again, brighter this time, like the lake itself was opening its eyes.

Behind them, the ground gave one final wet squish.

Then silence.


Title: Glamp-Thing: The Squish Beneath
Slug: glamp-thing-the-squish-beneath
Keywords: horror, glamping, Indonesia, Ciwidey, Bandung, swamp horror, lake monster, supernatural, thriller, creature horror, Indonesian folklore
Hashtags: #GlampThing #Ciwidey #HorrorSeries #Bandung #LakeHorror #CreatureFeature #SupernaturalThriller #IndonesianHorror #GlampingHorror #NightTerrors


Would you like me to continue straight to Episode 4 — “The Ones Who Stayed” next (also 700 words, full continuity)?

Zsolt Zsemba

Zsolt Zsemba has worn many different hats. He has been an entrepreneur, and businessman for over 30 years. Living abroad has given him many amazing experiences in life and also sparked his imagination for writing. After moving to Canada from Hungary at the age of 10 and working in a family business for a large part of his life. The switch from manufacturing to writing came surprisingly easily for him. His passion for writing began at age 12, mostly writing poetry and short stories. In 1999, the chance came to write scripts. Zsolt took some time off from his family business to write in Jakarta Indonesia for MD Entertainment. Having written dozens of soap operas and made for TV movies, in 2003 Zsolt returned to the family business once more. In 2018, he had the chance to head back to Asia once again. He took on the challenge to be the COO for MD Pictures and get back into the entertainment business. The entertainment business opened up the desire to write once more and the words began to flow onto the pages again. He decided to rewrite a book he began years ago. Organ House was reborn and is a fiction suspense novel while Scars is a young adult drama focused on life’s challenges. After the first two books, his desire to write not only became more challenging but enjoyable as well. After having several books completed he was convinced to publish them for your enjoyment. Zsolt does not tend to stay in one specific genre but tends to lean towards strong female leads and horror. Though he also has a few human interest books, he tends to write about whatever brews in his brain for a while.